Abstract animations from the 1960s - Part I

Radek Pilař / 1963 / 4 min.

synopsis

Pilař made the two surviving reels of animation experiments after his return from the 1963 Paris Biennale. The gestural brush painting over the surface of the originally black and white puppet film which he almost completely removed from the stock falls at the beginning of his programme works of expressive collage and assemblage. He returned to it repeatedly, as he did to the material he later reworked for Pink Floyd (ca. 1984) and Colours 1965 (ca. 1991).

biography

Radek Pilař (1931–1993) was one of the leading pioneers of video art in Czechoslovakia in the 1980s. Lying at the intersection of animation, video, and applied forms, his work was inspired by visual expressionism, pop art, and post-war avant-garde film.