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23rd Ji.hlava International Documentary Film Festival

ji-hlava dok cdf

Blending and Blinding

director: Richard Tuohy
original title: Blending and Blinding
country: Australia
year: 2018
running time: 11 min.
European Premiere

synopsis

Strictly working with the film material inside the camera, Tuohy updates slowly forgotten approaches to create a collage of architectural geometries. The monolithic nature of the image blurs the outlines of the buildings as the film frame disintegrates into grids cutting through the layers of the image in multiple exposures. The buildings depicted represent the cultures of the three main ethnic groups of Malaysia.

"This film is dedicated to Paul Clipson and Robert Todd, both of whose works were specifically on my mind while filming this film in Malaysia in 2016." R. Tuohy

 

biography

Richard Tuohy (1969), the founder of Australia’s international festival of experimental films, can trace his sensitive experimental language back to his experience working with raw film material. Overview of his wide-ranging career reveals a love for 8mm and 16mm film. He is also the founder of a specialized film development company, Nanolab, and operates the Artist Film Workshop dedicated to the creation of experimental films.

more about film

producer: Richard Tuohy
photography: Richard Tuohy

other films in the section

Lviv Intervision
A found footage reminiscence of the beginnings of Ukrainian TV broadcast in 1957 and the first 20 years of its operations, when the first factory for manufacturing televisions began operating in Lviv, presents not only programs broadcast at that time, but also the way television transformed the household and family structures. "Despite it’s archival form, our film is not about the soviet past but today’s virtuality - a dramatic story of the the gaze and the sedation of a newly emerged TV-spectator, which continues until now." A. Onufrienko, S. Menzelevskyi, E. Parvulesco  
personal program

Lviv Intervision

Elias Parvulesco, Stanislav Menzelevskyi, Anna Onufrienko
Ukraine / 2018 / 14 min.
section: Fascinations
International Premiere
La Mesa
Genre conventions cleverly broken down with animations, breaking through the scenery of rural Mexico, where in the area surrounding the director’s family farm, symbols of stories of physical desire conceal a layer of idyllic childhood memories and come into conflict with the traditional concept of masculinity and identity expression.   "By centering queer desire within the story of my Mexican-American family, I validate my own lived experience as well as challenge popular representation of masculinity, power and vulnerability." A. G. Gomez  
personal program

La Mesa

Adrian Garcia Gomez
United States / 2018 / 10 min.
section: Fascinations
International Premiere
more than everything
A pensive analysis of the vision and perception apparatus shared by all two-eyed beings gazes far ahead and in an intriguing perception experiment, explores the imagination of the depth of field and the illusory consistency of the image while dissecting the routine perspective on objects, shapes, motion and the phenomena around us."This is a dance between your brain and the world. We are bathed in interferences from sensual data to what might be out there. We will go to another land, we will try another sea. One plus one equals three." R. Kohlberger
personal program

more than everything

Rainer Kohlberger
Germany / 2018 / 13 min.
section: Fascinations
East European Premiere
Nutrition Fugue
This ironic found-footage collage created from raw footage originally shot for the Közért (“For the Public”) retail chain, a state-run network of shops in Hungary during communism, shows the problems of eating and nutrition in state-run economies, lives and images. "35 mm reels of socialist food advertisements were put in the soil to rot and decay." P. Lichter  
personal program

Nutrition Fugue

Péter Lichter
Hungary / 2018 / 4 min.
section: Fascinations
World Premiere
Wax and Feathers
A sensitive, impressive collage of intimate reflections, detailed observations, fragments of memories, and visual and musical allusions conducts an imaginary dialogue about how memory works and identity construction with a father who died a year earlier."What is a film if not collective dreaming made by conscious minds. Symbolism and myths are present in both dreams and films and rely on our memory and imagination for relating to the produced imagery." M. Lizides   
personal program

Wax and Feathers

Marios Lizides
Cyprus, United Kingdom / 2018 / 15 min.
section: Fascinations
World Premiere
Field of Infinity
Inspired by Italian Renaissance art, the filmmaker transforms news reports of protests in the Gaza Strip into a painting of people and the landscape, as if the boundaries of fields and meadows were a place for overcoming political limitations and the ability of an expansive viewpoint presented the ideal of inhabiting the visible.  "The struggle for liberation intertwines with nature rejuvenation, creating an array of reflections." G. Silberstein  
personal program

Field of Infinity

Guli Silberstein
United Kingdom / 2018 / 5 min.
section: Fascinations
European Premiere
Inside
Fragments of a body chiseled from darkness carve out a study of a nude female figure, sensual at specific moments, and in places disappearing into digital darkness. A lyrical treatise on intimacy and secrecy and an implicit polemic with a voyeuristic gaze create a longing for constrained completeness. "I dissect the perception and the mental state that arise while being watched, penetrated and examined and the experience of the viewer, involuntary being forced to follow the gaze of the camera." T. Kjellmark  
personal program

Inside

Tove Kjellmark
Sweden / 2018 / 10 min.
section: Fascinations
East European Premiere
Latency Contemplation 3
The disappearance of flowing textures of fluid and rocky landscapes alternates with patterns set in a grid of homogenous horizontals in a simple lyricism of hypnotic image and sound compositions and views of unexpected rhythms in flowing montages. "My ongoing questioning of the oscillations between my internal visions and the outer world comes with its own intrinsic intuition and metamorphoses my perceptions." S. Cho  
personal program

Latency Contemplation 3

Seoungho Cho
South Korea, United States / 2018 / 10 min.
section: Fascinations
East European Premiere
Wanderlust Iteration #1
64 trees in a valley are presented in 3D, becoming both the object and space for every eye – exteriorized on the basis of various principles. The filmmaker continues to explore various possible approaches to spatial representation of creates ingeniously thrilling wanderings among images. "Stereo3D films shall be done of such a kind that they make no - or another - sense than if they where only in mono2D. What we know from flat filmmaking is no help." B. Speidel  
personal program

Wanderlust Iteration #1

Björn Speidel
Germany / 2018 / 9 min.
section: Fascinations
World Premiere
The Escape Agents
A re-construction of the illegal smuggling of a family across the border from East to West Berlin in 1988. Told in photographs, the film shows a chilling story of escape in the trunk of a car and an encounter with agents of the East German secret police. The images’ unknown origin adds a sense of the universal and calls into question the course of events.  "While researching my first feature, I stumbled across these photos in the Stasi archives and decided to try to make a story around them. I was shocked when I found out the true identity of the people " S. Calonico  
personal program

The Escape Agents

Scott Calonico
Germany, German Democratic Republic, United Kingdom / 2018 / 5 min.
section: Fascinations
World Premiere
Dushanbe
Through the use of animation, the backlit photographs blend with the director’s aunt’s memories of the mountains, the local views, and the inside of the home from which she was forced into exile. The fragments of memory offer insight into life in the diaspora through architectural projects by which the aunt has recreated her native Tajikistan in her new home in Darmstadt.   "Film is grounded in found footage through the photographic, constructing an assemblage from fragments of exile. I focused on colour, texture, and materiality in both image and sound, resuturing diasporic time and space through the slowed-down gesture of animation." K. Friesen  
personal program

Dushanbe

Kandis Friesen
United States, Canada / 2018 / 5 min.
section: Fascinations
European Premiere
Musical Landscape
This conceptual experience in which differences in color are translated into notes on a piano looks at the area surrounding the port of Marseille. The result is a musical composition created through an abstracted reflection of the nature, look, and visual diversity of a place where ships arrive and depart. "Through video artworks, I ruminate both on the notions of temporality and duality of digital arts - the interplay of the sound and the image - to build new realities to the world around us." J.-M. Rolland  
personal program

Musical Landscape

Jean-Michel Rolland
France / 2018 / 8 min.
section: Fascinations
East European Premiere
Ministerstvo kultury
Fond kinematografie
Evropská unie
Město Jihlava
Kraj Vysočina
Česká televize
Český rozhlas
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